Corona Zombies: A Film to Sink Your Teeth Into While Waiting for Your Stimulus Check

Corona Zombies

Full Moon Entertainment brings you the next evolution in cinema: Corona exploitation is here!

It was just a matter of time until low budget movie houses and indie filmmakers cashed in on the crisis. The first offering is here and sets a very low bar. In fact, I can hardly call this a movie. It’s more of spliced together mismatched clips from previous films intertwined with some original content and news footage of the recent corona virus outbreak.

Horror fans will recognize the films Hell of the Living Dead and Zombies vs. Strippers, which are the two films sampled in this movie. But Full Moon goes full Rifftraxx/Mystery Science Theater on them, overdubbing the dialog with social commentary of today and a forced humor that makes it sometimes wish you were quarantined from watching it.


Attack of the Killer Donuts a Horror/Comedy Serving Up Laughs by the Dozen

Attack of the Killer Donuts

Have you ever wondered what would happen if Herbert West from the Re-Animator series were to get a job at a Dunkin' Donuts? Well look no further than this low budget hidden gem from 2016 that won't leave you feeling glazed over.

The plot is a simple one: a chemical accident turns ordinary donuts into bloodthirsty killers. Now it's up to Johnny, Michelle, and Howard to save their sleepy town from...Killer Donuts!


Friday the 13th: Vengeance - The Sequel to a Sequel You Never Knew You Needed to See

Friday the 13th: Vengeance

Crowdfunded Fan Films are gaining traction… and FUNDS! Will Hollywood take notice?


Voting Open for Best of 2020

Best of 2021

It was the best of times. It was the worst of times.

Actually, it was 2020, so scratch that first bit entirely. But as ugly as the past year has been, there were still a few moments that perked things up. So as loath as we may all be to actually look back at this year, we're asking our readers to do so for just one more month as we collect votes from you, our readers, to select the award winners in our BEST OF 2020.

The movie theaters were bereft most of the year, but production companies found ways around that, and many movies went straight to streaming services. Streaming options also presented us with several nominees for our Best Series.

But it was the crowdfunding renaissance in the comic book arena that really shook up the nomination processes this year, shouldering their way past the mainstream giants to stand side-by-side with them for Best Comic, Best Comics Writer and Best Comics Artist.


Bright Hill Road a Dark Path to the Inevitable

Bright Hill Road

For millennia the nature of existence has both intrigued and terrified humankind; philosophers, alchemists and the religiously inclined have written inexhaustible volumes about their quests to understand the totality of the universe we inhabit and our place in it. Within our modern age artistic expression has often served as the primary engine for those of thoughtful disposition to pose questions regarding reality in ways that not only provoke but entertain.

“Everyone who comes here has a secret,” one character steadfastly states halfway through Uncork’d Entertainment’s latest enigmatic offering, Bright Hill Road, and the mysteries offered in the film’s slow burn, are the exact kind those same philosophers of yore propounded: Where are we and why, exactly, are we there?


Love and Monsters a Fulfilling, Exciting Hero's Journey

Love and Monsters

We've seen movies like LOVE AND MONSTERS before. At least, that's the first impression one gets when first meeting Joel, played by Joel: Dylan O'Brien (Teen Wolf, Bumblebee). He's a bit of a lovable loser living in a post-apocalyptic world inhabited by giant monsters created by a bizarre radiation fallout. He lives with a small underground colony of hunters and gatherers, where he serves as the cook because he freezes up when danger threatens. Right then, you know that this is going to be Joel's personality throughout the show, and he's going to luck his way into some kind of victory using his one unique skill that only he could pull off. And you couldn't be more wrong. First off, despite his lack of skill as a fighter, the colony loves him. They all want to protect him and watch out for him.


Art House Meets Grindhouse in Reece's Climate of the Hunter

Climate of the Hunter

The gritty, post-Vietnam period of the 1970’s made an indelible mark on horror cinema. Long gone were the gothic icons of the Universal pantheon and the B-Movie buffoonery of the Eisenhower years--a new wave of unflinching realism took hold that examined and, more often, confronted, a world numb from war and economic instability, drugs, sexual promiscuity and mistrust, and films like The Texas Chain Saw Massacre, Rabid, Martin and Blue Sunshine were awash in the decade’s heady experimental attitude.


Ellen Hollman Has Backwoods Gunrunners Outnumbered in Army of One

Army of One

Ellen Hollman (THE MATRIX 4) headlines this indie thriller that plays on the trope of "band of criminals does the wrong person wrong." During a wilderness trek with her husband, Dillion (Matt Passmore), a police officer recovering from a recent attack, Brenner (Hollman) stumbles upon a band of backwoods clan of gun runners. The gang is led by Mama (Geraldine Singer), who rules with an iron fist in a velvet glove. Her men are mostly brutes, and the women are kept in cells, only brought out for subservient tasks or mating.


Thirst Upends Conventional Vampire Logic

Thirst 2019

“…Thorolf, an early settler of the island, reappeared after his burial. Cattle that went near his tomb became mad and died. His haunting at home caused his wife’s death. His wanderings were stopped for a while by the removal of his body to a new location. But he returned and, finally, his new tomb was opened and his body burned and ashes scattered.” --From the Icelandic Eyrbyggia Saga,


Curse of Hobbes House Revels in Dramatic Tension

Curse of Hobbes House

Whether it’s severing limbs with a shovel or depicting shotgun blasts to the head, there’s something about an English accent that lends an air of sophistication to even the most intense displays of cinematic splatter. Indeed, that most revered of all British storytellers was renown for crafting gruesome set pieces, and like Shakespeare’s finest, 4Digital Media’s newest release, The Curse of Hobbes House, revels in the dramatic tension provided by supernatural underpinnings, treachery, murder and deliciously malicious mayhem.


Small Town Monsters Spotlights Legendary Tale with Mark of the Bell Witch

Mark of the Bell Witch

“…Strange appearances and uncommon sounds had been seen and heard by different members of the family at times, some year or two before I knew anything about it…Even the knocking on the door, and the outer walls of the house, had been going on for some time before I knew of it.”

So goes an account written in the memoirs of Richard Williams Bell, one of the seven children born to John Bell Sr., an affluent Adams, Tennessee farmer who, two centuries ago, played host to one of the most infamous and thoroughly examined hauntings in southern American history, that of a violent, wrathful entity referred to as The Bell Witch. From 1817 to 1821 the Bell family endured one otherworldly assault after another, beginning with mysterious poltergeist-like noises, scratchings from within walls, to hideous disembodied voices, physical attacks and unexplained illnesses, culminating in the appearance of a fearsome female specter that called itself simply, "Kate Batts, witch."


Beast Mode: Yes, There's Such a Thing as a Splatter Comedy

Beast Mode

Imagine a skin cream used by shamans in a remote jungle. It's derived from a rare flower, and it has miraculous healing properties for severe scarring. But there's a catch (of course there's a catch!) -- whatever you are in the inside, it brings to the outside at the stroke of midnight. If you are beautiful on the inside, you'll be beautiful on the outside.

But if you're a monster on the inside...

The cream is taken by force and, eventually, ends up in secret circles of Hollywood, coming to the attention of horror film producer Breen Nash (C. Thomas Howell). When Nash accidentally backs over his bad-boy leading man, Huckle Saxton (James Duval), he panics and hides the body. His primary fear is that the funding will be pulled from his newest film venture, BEAST MODE, and he tries to do a WEEKEND AT BERNIE'S with Huckle to put on a show for his primary backer, Pish Rudabaker (James Hong).


The 9th Raider a Post-Apocalyptic Film Based Around Blockchain

The 9th Raider

Science fiction has been one of the most fascinating and popular genres in popular culture. Movie franchises such as Star Wars, for example, have become billion-dollar series on the back of fantastical technologies and advanced developments which captured the imagination of millions of fans. In fact, sometimes we have seen those technological advancements featured in films come true in real life as well. One well-known example of this is seen in the Star Trek series, where creator Gene Rodenberry included flip phones, back in the day when mobile phones of any sort were a pipe dream. Lo and behold, flip phones were all the rage 20 years ago until the advent of the iPhone and touchscreen smartphones.


Backwoods a Lot of Meandering Setup for a Post-Credits Payoff

The deformed Hangman of BACKWOODS.

Thomas Smith directs BACKWOODS, a low-budget horror with some surprisingly good effects and a decent attempt at a plot twist. In fact, the post-credits ending is a rather neat payoff -- you just have to endure the entire movie before that. It's akin to watching Simone Biles stick the landing after drunkenly bumping around on the parallel bars.

The first thing you have to get used to is the film's penchant for nonlinear storytelling. It jumps back and forth, from the moment we first meet Molly (Isabella Alberti) tied up in the trunk of a vehicle, making her escape. Almost instantly we go back to the football game where she was cheering, then back to escaping the trunk, then back to the aftergame party, then back to Molly lost in the woods. You get the idea. There is a place -- one place -- where the technique is actually useful, and i understand the Macguffin the film is trying to keep covered by doing this, but it's overdone.


Hobbit / LOTR Get Simultaneous 4K Release

Hobbit LOTR 4K

With much of the world being risk-averse to crowds of shoppers this year, it doesn't take a crystal ball to predict that online sales are going to be through the roof for Black Friday and beyond. And with shipping times factoring into the gift-buying (and sending) equation, the earlier you get started with your list the more likely it is you'll have everything wrapped and ready in time for Christmas.


Black Pumpkin "Yummy Halloween Fun!"

Black Pumpkin

In Jungian terms, the collective unconscious involves those concepts we humans instinctual identify regardless of cultural boundaries, and abstract symbols come to be imbued with deeper meaning: a flag becomes not merely colorful fabric, but an emblem of national identity, just as a cross represents spiritual salvation for a Christian adherent. In horror cinema, the mask, and indeed the slasher subgenre in particular, is the one most singularly representing silver screen terror in the minds of the general populous the world over. Sure, vampires, zombies, werewolves and Hell-born spawn may be catalysts for insomnia, but since the commercialization of the killer-run-amok tale in the late-70’s odds are more people at Halloween associate hockey with Jason Voorhees than the Stanley Cup.


Giant Starfish Bring Humanity a Warning From Space, Now on Blu-ray

Warning from Space

Four years before DC Comics founded the Justice League team to take on the interstellar horror of Starro the Conqueror, screenwriter Hideo Oguni teamed up with artist Taro Okamoto to bring us the strangest, not-quite-kaiju of them all: the Pairans. These alien beings were slightly larger than humans, and looked like giant starfish with a large, unblinking eye in the middle.


Cup of Cheer Pantses Hallmark Under the Mistletoe

Cup of Cheer

Tis the season to lose control of your television to the more sentimental members of the family. So if you're going to watch anything from now through the end of the year, it's going to be a Christmas movie, and it's probably going to be either Lifetime or Hallmark (not that you'll be able to tell the difference). The romantic holiday genre has grown so pervasive that we even had to come up with an alternative a few years back, when we put out our Nine Christmas Movies for Guys Who Hate Christmas Movies.

This year, we may just have to round out that list to ten (or bump one off -- we'd hate to ruin the gestalt of our nine ladies dancing).

From Director Jake Horowitz comes CUP OF CHEER, a slightly bawdy sendup of just about every heartfelt holiday homecoming you've ever watched.


Not Bogus, But Not Righteous: Bill and Ted Face the Music

Bill and Ted Face the Music on Blu-Ray

Thirty-one years ago, two righteous California teens with guitars and a dream had an excellent adventure in a time-traveling phone booth. It was so much fun, they had to do it again, but it ended up being a totally heinous bogus journey.

Along the way, Bill S. Preston, Esquire (Alex Winter) and Ted "Theodore" Logan (Keanu Reeves) learned they had a destiny. Their band, Wild Stallynz, would create a song that would unite the world. But decades later, the band has fallen apart, but the boys still have the dream, even if they have fallen to playing wedding receptions. Their music skills are actually incredibly well-rounded, in every technique. But what they produce is the result of obviously trying too hard, seeking that special combination that will finally unite the world.


Sasquatch Among Wildmen Takes Bigfoot Research Abroad

Sasquatch Among Wildmen

I've been fascinated with the paranormal almost since I knew how to read. Early influences on me were the television movie of the week that told the Betty and Barney Hill abduction story, and films like THE LEGEND OF BOGGY CREEK (not to mention the few appearances of Bigfoot on THE SIX MILLION DOLLAR MAN). I clipped articles from the World Weekly News like it was gospel.

I'm pretty sure Bat-Boy isn't still out there waiting to attack, but I remain fascinated with UFOs and cryptids. And while the media has become suffused of late with multiple Bigfoot hunting series, they skew strongly to "reality entertainment" than anything remotely investigatory. If you need to do a CGI recreation of your Bigfoot encounter, I really don't ned to see it.

That's what makes Darcy Weir's SASQUATCH AMONG WILDMEN stand apart from this crowd. It's a true documentary, eschewing any sensationalism or fakery. 


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